Filipe Marques

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Filipe Marques

Born in 1976. He lives and works in the city where he was born. Vila do Conde. The darker it is, the colder it is, and his mother’s warm body slowly cooled, leaving rotting flesh. He began his studies in Vila do Conde, followed by Porto. Dusseldorf. His hand profoundly discovered his voice; a hand guided by thought. To say Pain. To say Memory. To say Death. To say nothing at all only shows the rottenness that inhabits him, with discipline and rigour, after all: work, following the commandments of his decalogue. He loves what he does because he is himself. He does not refer to art in vain. He glorifies his working days, as well as his rest days. He honours his family and friends. He shall not kill unless there is no alternative. Words and actions must be cordial beasts. As for false testimonies, are they so false? He wants nothing with what doesn’t pertain to him. He has nothing except for two dates; the first already re- corded, the last on hold, but has been chosen as the soundtrack for his funeral.


Exhibitions selection:


Old Cities Enclosed By Ancients Walls, Altice Arte Fórum, Braga (2022);

Pandemic. I Don’t Know Karate, But I do Know Ka-Razor!, Galeria Municipal do Porto, Porto (2021);

Making It with Life and Death. Remarks on Thanatos and Eros and Desiring Production, Galeria Dínamo, Porto (2021);

Anomie. Narcisism and Dispersion, CAA-IVV, Águeda (2020);

And that´s What I Want to do, Tell you Wonderful Things, Espaço Mira, Porto (2020);

God, Meaning, Subject, Money and Phallus, Travessa da Ermida, Lisbon (2019);

Carnations and Velvet - Art and Revolution in Portugal and Czechoslovakia, Prague, Czech Republic (2019);

Disclosedness Space, Galería Nuno Centeno, Porto (2019); 

The Film and Issues, Colégio das Artes, Coimbra (2019); 

Knife and Wound, CACGM - Centro de Arte Contemporânea Graça Morais, Bragança (2018);

Feel it, no Fear. The Flesh Yields and is Numb, Galeria Fernando Santos, Porto (2017); 

Em Tudo quanto é Mundo Dito ou não Dito, DesobeDoc, Porto (2016); 

A Carne que os Guindastes Suspendem, Espaço Mira, Porto (2015); 

Art Stabs Power, Qué se Vayan Todos, Bermondsey Art Project, London, England (2014);

From Hermeneutics to The Cause, Círculo de Artes Plásticas de Coimbra, Coimbra (2014);

God Factor, Mosteiro de Tibães, Braga (2012);

Art Now, Apocalypse Later; Museu Centro de Memória, Vila do Conde (2011);

Requiem by a Young Painter, Paço dos Duques, Guimarães (2010);

The Straightfoward Tale and The Witness’s View, Paço dos Duques, Guimarães (2010); 

A [The] Friend of Volker Nolde, Galeria Graça Brandão, Porto (2008);

Museo Archeologico Nazionale, Florence, Italy (2007);

Das Motiv, Museu Chiado, Coimbra (2005); 

Remarks on Colors, Wittgenstein, Galeria Cubic, Lisbon (2002).

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