Master degree in Fine Art, Sandberg Institute, Amsterdam (NL).

Bachelor degree in Media Art, Faculdade de Belas-Artes da Universidade de Lisboa, Lisbon (PT).

Undergraduate / High School in Textile Design and Production, António Arroio Artistic School, Lisbon (PT).

Future Past Imaginaries. Curated by Miguel Amado and Alexandra Balona, Rampa, Porto (PT).

For a Lifelong Disease of Copper. Kunsthalle Lissabon, Lisbon (PT).

See You Later Space Island. Curated by Walk and Talk, Arquipélago - Centro de Artes de Artes Contemporâneas, Azores (PT).

under a two-moon belief system no duality endures. Trixie, The Hague (NL).

Malva Field, Submerged. Lehmann + Silva, Porto (PT).

PORTAL. Performance in collaboration with Odete. São Luiz Municipal Theater, Lisbon (PT).

Under Current. Screening at IndieLisboa International Film Festival - Official Selection, Lisbon (PT).

Sub Corrente. Novo Banco Revelation Prize, Serralves Museum of Contemporary Art, Porto (PT).

Mood Keep @ Vdrome. Vdrome.org.

Mood Keep. Seventh Gallery, Melbourne (AU).

Mood Keep. Screening at EYE Filmmuseum, Amsterdam (NL).

Pálpembrana. Galeria da Boavista, Galerias Municipais - EGEAC, Lisbon (PT).

Nightcare. Anexo, Lisbon (PT).

Physical Sky. Spirit Shop, Lisbon (PT).

Mood Keep. Screening at DocLisboa International Film Festival, Competition for Best Portuguese Film and Best Short Film, Lisbon (PT).

The Real Estate Render Blackout. Screening at Eye Filmmuseum, Amsterdam (NL).

The Ebay Illustrated Dictionary of Ending Items. Old School #46, Old School, Lisbon (PT).

Stock Model. Screening at SPEKTRUM art_technology_community, Berlin (DE).

Stock Model. Screening at IX Janela Internacional de Cinema do Recife, Recife (BR).

Stock Model. Screening at MAAT - Museum of Art, Architecture and Technology, Lisbon (PT).

Lettera d’amore. Curated by Alberta Romano, Kunsthalle Lissabon, Lisbon (PT).

Contemporânea Film(e) – more-than-human — perspectives on technology and futurity. Artistic direction by Celina Brás, Galeria Avenida da Índia, Lisbon (PT).

You don’t invite 13 to dinner. Dialogue Gallery, Lisbon (PT).

CAConrad with Alice dos Reis and Isadora Pedro Neves Marques: Hidden in the cave we forge of one another. Batalha Centro de Cinema, Porto (PT).

Back to Earth: Contested Histories of Outer Space Travel. Canal Projects, New York (US).

NON FINITO - Obras da Coleção de Arte Contemporânea do Estado. Curated by Fernando J. Ribeiro, Pedro Portugal and Beatriz Hilário, Centro de Cultura Contemporânea de Castelo Branco, Castelo Branco (PT).

A desordem necessária. Project “Artists Join the Embassy”, curated by Ana Cristina Cachola, Official Residence of the Portuguese Ambassador in Spain, Madrid (ES).

ARCOmadrid 2023. Lehmann + Silva, Madrid (ES).

Collective Individuals. Curated by Leonardo Bigazzi, Gallerie d'Italia – Torino, Turin (IT).
Quem nos Salva? Curated by Ana Cristina Cachola, Programa “15 anos de MACE – Aqui somos Rede”, MACE - Museu de Arte Contemporânea de Elvas, Elvas (PT).
Crypto. Invited by Holly Childs & Gediminas Zygus, Palais de Tokyo, Paris (FR).

Prospects. Curated by Johan Gustavsson in collaboration with Gabija Seiliute, by Mondriaan Fund during Art Rotterdam, at Van Nelle Factory, Rotterdam (NL).

Synonym Satellite. Curated by Ivan Cheng, bologna.cc, Amsterdam (NL).

EMOTIONS ARE OCEANS. Curated by Niekolaas Johannes Lekkerkerk, assisted by Sergi Pera Rusca, RADIUS Center for Contemporary Art and Ecology, Delft (NL).

I Am Inside Who I Was. puntWG, Amsterdam (NL).
ARCOlisboa 2022. Lehmann + Silva, Lisbon (PT).

Erro 417: Expectativa Falhada. Curated by Marta Espiridião, Galeria Municipal do Porto, Porto (PT).

Handle with Care. Curated by Ana Cristina Cachola, Galeria Francisco Fino, Lisbon (PT).

Aquaria. MAAT - Museum of Art, Architecture and Technology, Lisbon (PT).

Istanbul Design Biennial. Empathy Revisited: designs for more than one. Istanbul (TR).

Technologies of the Sacred. Display, Prague (CZ).

This margin will be your vantage point. Curated by Giulia Civardi and Taddeo Reinhardt, Gallery IN SITU Fabienne Leclerc, Paris (FR).

Homework. Galeria Madragoa, Lisbon (PT).

A Sonic Youth. Curated by Filipa Oliveira, Galeria Municipal de Almada, Almada (PT).

Depois do Estouro. Galeria Municipal do Porto, Porto (PT).
INNATE FUEL. Off-site group show at car parked in front of Fagor Factory for Lyon Biennale, Lyon (FR).

European Identities. New Geographies in Artists’ Film and Video. Le Murate. Progetti Arte Contemporanea, Florence (IT).

Graduation Show. Sandberg Instituut MA Fine Art Degree Show, Looiersgracht60, Amsterdam (NL).

Every Word Left Unspoken is the Title. Neverneverland, Amsterdam (NL).

Sorry We’re Late. Radion, Amsterdam (NL).

If It Like, Like, Like, Then It Probably Is. Neverneverland, Amsterdam (NL).

Inpossível. Arquipélago - Centro de Artes de Artes Contemporâneas, Azores (PT).

Fundación Botín Visual Arts Grant (ES).

Mondriaan Fund Emerging Artists Grant (NL).

NOVO BANCO Revelation Prize Winner (PT).

VISIO Young Talent Acquisition Prize — Lo Schermo dell’Arte (IT).

Calouste Gulbenkian Foundation Grant for Artistic Masters and Research (PT).

Public Prize Winner with the video Stock Model, Fuso — International Video Art Festival, Lisbon (PT).

Short-listed for “Best Experimental Film” by the Portuguese Film Academy with the video Model Home (PT).

Wendy’s Subway, Brooklyn, NY (US).

CSAV - Artists’ Research Laboratory with John Knight, Como (IT).

Walk & Talk Contemporary Arts Festival Residency, Azores (PT).

Abisko Scientific Research Station Residency, Abisko (SE).

Directorate General for Cultural Heritage (PT).
António Cachola Collection, Museu de Arte Contemporânea de Elvas (MACE), Elvas (PT).

EDP Art Collection, MAAT - Museum of Art, Architecture and Technology, Lisbon (PT).
Lisbon Municipal Art Collection (PT).

Porto Municipal Art Collection (PT).

Seven Gravity Collection (IT).

Dos Reis, A. (2019). To a Current’s Ear. In Under Current / Sub-Corrente. Porto: Fundação de Serralves.

Dos Reis, A. (2019). Slimy Fillings. In De Brechard, L. (Ed.) Hopelessly Failing to Describe my Attachment.  Amsterdam: Sandberg Instituut.

Dos Reis, A. (2019). Paul the Octopus’ Death and Other Thoughts on Animal Oracles. In Copley, C. & Io, D. (Ed.) Schemas of Uncertanity. Amsterdam: PUB.

Faro, P. & Matos S. A. (2019). Alice dos Reis: Pálpembrana. Lisbon: Galerias Municipais de Lisboa.

Dos Reis, A. (2018). Slimy Fillings. Self published.

Design Academy Eindhoven (NL).

AKI ArtEZ Academy for Art & Design, Enschede (NL).
Faculdade de Belas-Artes da Universidade de Lisboa, Lisbon (PT).

Talk at Hoffnung3000, Berlin (DE).
Talk at Chess Instituut, Amsterdam (NL).